Blog Posts

  • Blended Learning Course Weeks 1 & 2

    Earlier in the year, I undertook an course on teaching foreign languages to dyslexic students with FutureLearn and the University of Lancaster.  Although I don’t teach foreign languages, of course, I do teach dyslexic students and indeed one of my children is severely  dyslexic. It gave me some really useful insights into supporting all students…

  • ‘And though that shee be dead and gone’ – the VERY late Ladie Marquess

    In my final blog post on William Elderton’s A proper new balad of my ladie marques, Whose death is bewailed To the tune of new lusty gallant, I’d like to look at possible reasons why the ballad wasn’t published until well after the marchioness’s death: Although the ballad appeared in the Stationers’ Registers of 1569,…

  • Ghost Beliefs

    William Elderton’s A proper new balad of my ladie marques, Whose death is bewailed To the tune of new lusty gallant features an apparition: Elderton says ‘Me thinkes I see her walke in blacke, / In euery corner where I goe’.  But Elderton is conflicted. Visions of the deceased marchioness appear in his mind’s eye,…

  • Multiple Audiences

    Although ostensibly an epitaph, William Elderton’s A proper new balad of my ladie marques, Whose death is bewailed To the tune of new lusty gallant is in reality a curious mix which speaks to various audiences on several levels.  The first was a general listenership who might be edified by ideals of piety and entertained…

  • Parr Family History

    As we have seen, William Elderton’s emphasis on the exemplary feminine virtues of his heroine in A proper new balad of my ladie marques, Whose death is bewailed To the tune of new lusty gallant is line with the norms of the Renaissance epitaph.  But in Elizabeth Parr’s case it is especially interesting. It reflects…