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  • July 29, 2016

    Blended Learning Course Weeks 1 & 2

    Earlier in the year, I undertook an course on teaching foreign languages to dyslexic students with FutureLearn and the University of Lancaster.  Although I don’t teach foreign languages, of course, I do teach dyslexic students and indeed one of my children is severely  dyslexic. It gave me some really useful insights into supporting all students…

  • July 18, 2016

    ‘And though that shee be dead and gone’ – the VERY late Ladie Marquess

    In my final blog post on William Elderton’s A proper new balad of my ladie marques, Whose death is bewailed To the tune of new lusty gallant, I’d like to look at possible reasons why the ballad wasn’t published until well after the marchioness’s death: Although the ballad appeared in the Stationers’ Registers of 1569,…

  • July 11, 2016

    Ghost Beliefs

    William Elderton’s A proper new balad of my ladie marques, Whose death is bewailed To the tune of new lusty gallant features an apparition: Elderton says ‘Me thinkes I see her walke in blacke, / In euery corner where I goe’.  But Elderton is conflicted. Visions of the deceased marchioness appear in his mind’s eye,…

  • July 4, 2016

    Multiple Audiences

    Although ostensibly an epitaph, William Elderton’s A proper new balad of my ladie marques, Whose death is bewailed To the tune of new lusty gallant is in reality a curious mix which speaks to various audiences on several levels.  The first was a general listenership who might be edified by ideals of piety and entertained…

  • June 28, 2016

    Parr Family History

    As we have seen, William Elderton’s emphasis on the exemplary feminine virtues of his heroine in A proper new balad of my ladie marques, Whose death is bewailed To the tune of new lusty gallant is line with the norms of the Renaissance epitaph.  But in Elizabeth Parr’s case it is especially interesting. It reflects…

  • June 23, 2016

    The Lady Marques in Context

    William Elderton’s A proper new balad of my ladie marques, Whose death is bewailed To the tune of new lusty gallant was not the only eulogy published in 1569. Thomas Newton penned a steadfastly Protestant panegyric to Lady Katherine Knollys. Katherine, who may have been the illegitimate daughter of Henry VIII, was also a confidante…

  • June 14, 2016

    The Ladie Marques and the Lusty Gallant

    With apologies for the length of the delay between posts (brought about by a computer faliure), here is the second piece about Elizabeth Parr and William Elderton: William Elderton’s A proper new balad in praise of my Ladie Marques (London, 1569; STC (2nd ed.) / 7562) is unique among the surviving early ballad epitaphs in…

  • April 15, 2016

    William Elderton and the Ladie Marques part 1

    I’ve been doing a lot of work on ballad epitaphs in recent months, inspired by a William Elderton ballad entitled A proper new balad of my ladie marques, Whose death is bewailed To the tune of new lusty gallant. The first thing that caught my attention was the fact that the epitaph had a named, known…

  • March 2, 2016

    Ballads, burnings and the British Academy

    If the blog has been a little bit quiet lately, it’s not just because of the teaching.  It’s also because I’ve been trying to set aside a couple of days each week to work on the book.  This task was interrupted at the end of January by the news that the application that I made…

  • March 2, 2016

    Drums, Bugles, and Bagpipes in the Seven Years’ War

    Daniel Laxer Historians tend to overlook the role of musical instruments in the Seven Years’ War. Few devote much attention to explaining how armies operated or battles played-out. Fred Anderson’s … Source: Drums, Bugles, and Bagpipes in the Seven Years’ War

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